I Had a Favorite Dress hits shelves this Monday, so I thought I'd show you some studio shots and process work:
Boni Ashburn wrote a lovely story with a very fun cadence to it. Right from the get-go it made me feeling like dancing, I wanted the text to dance, and I wanted the art to dance...(I'm not gonna lie, I had a sweet summer soundtrack consisting of
Animal Collective /
jazz blasting, so I did a lot of dancing around). Boni's words, "SNIP SNIP, SEW SEW" helped me feel playful enough to want to cut up, collage, get messy. I thought: wouldn't it be fun to stitch the title page by hand? So I did:
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It ended up a little bloody (see capital "D!") since I'm not a seamstress of any sort, but I handed it in anyhow (thanks, Photoshop). I spent my weeks in a blissful world of little dresses, buttons, city scapes, and thread...
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Cover sketch on the light box:
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Fall leaves to be cut out for the school scene:
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Snowflakes for the winter scene:
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Tree tops in the fall:
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Tracing days of the week by night light:
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All the little dress components, ready to be scanned:
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A very
SERIOUS struggle to find the right pink:
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EEEE! Tiny dresses! I love my job!
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Chad helped turn these thumbnails into something that made sense:
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There is always that initial image you see after shutting your eyes and you've let a manuscript whisper through your mind. For this book, it was a little window on the first floor of a brownstone, with a blossoming tree nearby. As I looked in the window from the sidewalk, I watched a little girl prance to her mother in her FAVORITEST dress for an embrace. I tried my best to stay true to that glimpse for the duration of the work, and expand the world from that little window...
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The characters and urban settings came right along with the story for me, right from the moment I read it. The city itself is an amalgamation of New York and Boston. My go-to painting soundtracks (supplemented by Animal Collective, and
Jonsi) on this book were jazz guitar/piano albums by:
Admiring thank yous to author
Boni Ashburn, and to the excellent people at Abrams, especially Laura Mihalick in marketing, editor Maggie Lehrman, creative director+designer
Chad Beckerman (for working through so many fixes and edits that our final art file came to be called "FOR CHAD_DRESS_FINAL_INFINITY")
See you again Monday for a BOOK BIRTHDAY!